I Googled myself recently (WHAT OF IT?!) and discovered that an old interview with me has surfaced on
Film Threat, in which I discuss the DVD boxed set I produced for Kino in 2005:
Edison: The Invention of the Movies (which has a pretty cool website, by the way).

I'll copy-and-paste the introduction here, then you can
CLICK HERE to read the interview itself.
The American motion picture industry began with Thomas Edison and his brigade of inventive technicians during the final years of the 19th century. Edison never directed films and was only occasionally involved in their production, but under his leadership a new entertainment took root and quickly blossomed - literally beyond his eventual control.
Kino on Video, in conjunction with the Museum of Modern Art in New York and the Library of Congress, has assembled 140 films produced by Edison in a four-disc DVD set called
Edison: The Invention of the Movies. Beginning with the blurry, ghostly figures of the
Monkey-Shines camera tests of 1889 (made at his celebrated Black Maria Studio in New Jersey) through the short oddball films designed to be seen in the kinetoscope machines (a single-viewer contraption where a 50-foot film ran in a loop) through the 1918 theatrical feature
The Unbeliever starring Erich von Stroheim, this remarkable collection spans the development of the nascent cinema from its crude experimental beginning to the dawn of the modern film industry.
Many of the films in
Edison: The Invention of the Movies are being made available on DVD for the very first time, most notably the 1895
Dickson Experimental Sound Film, which marked the earliest known attempt at synchronized sound in movies (the soundtrack of this 14-second effort was restored from a damaged wax cylinder and perfectly matched to the rather odd imagery of a man playing a violin while two other men danced a fox trot). There are some familiar titles to be seen here, including
The John C. Rice - May Irwin Kiss and the landmark Western
The Great Train Robbery, as well as hitherto obscure gems such as glimpses of turn-of-the-century celebrities like sharpshooter Annie Oakley and bodybuilder Eugene Sandow.
Bret Wood, who produced
Edison: The Invention of the Movies, spoke with
Film Threat on the unique challenges of bringing the harvest of silent Edison films into a single DVD presentation.
CLICK HERE to read the interview.
Incidentally, my digital restoration of
Monkeyshines is being screened this week in Italy at the 2008 Pordenone Silent Film Festival. I'll be here... holding down the fort.